Quantcast
Channel: http://hiptoyourjive.tumblr.com/
Viewing all 8050 articles
Browse latest View live

Photo


hussein chalayn: geotropics - spring 1999

$
0
0


hussein chalayn: geotropics - spring 1999

ooshoosh: josephine skriver backstage at ports 1961 spring 2012

Photo

remember how cool gifs used to be

$
0
0


remember how cool gifs used to be

hante: Kinga Rajzak by Lina Scheynius for AnOther Magazine...

$
0
0


hante:

Kinga Rajzak by Lina Scheynius for AnOther Magazine Spring/Summer 2012 

Ugh willow why would you wear lime green overalls when trying to get a boy to kiss you?

$
0
0

Ugh willow why would you wear lime green overalls when trying to get a boy to kiss you?

Photo


Photo

Photo

goldenwolf: “Makeover Madness” photographer: Steven Meisel...

$
0
0


goldenwolf:

“Makeover Madness”
photographer: Steven Meisel
publication: Vogue Italia, July 2005

morsure: stella tenant and chandra north by mark borthwick for...

$
0
0


morsure:

stella tenant and chandra north by mark borthwick for vogue italia 1996

when was the last time you had a relationship?

$
0
0

I think it was just before the dinosaurs went extinct but who can be sure?

Photo

Photo


Comme des Garçons | fall 2010

Photo

Photo

Photo

crematorie: Marina Abramović - Rhythm 10 A first version of...

$
0
0








crematorie:

Marina Abramović - Rhythm 10

A first version of this performance involving 10 knives was presented at a festival in Edinburgh in 1973.

Preparation: “I lay a sheet of white paper on the floor. I lay twenty knives of different shapes and sizes on the floor. I place two cassette recorders with microphones on the floor.”

Performance: “I switch on the first cassette recorder. I take the knife and plunge it, as fast as I can, into the flesh between the outstretched fingers of my left hand. After each cut, I change to a different knife. Once all the knives (all the rhythms) have been used, I rewind the tape. I listen to the recording of the first performance. I concentrate. I repeat the first part of the performance. I pick up the knives in the same sequence, adhere to the same rhythm and cut myself in the same places. In this performance, the mistakes of the past and those of the present are synchronous. I rewind the same tape and listen to the dual rhythm of the knives. I leave.”

Marina Abramovic

Viewing all 8050 articles
Browse latest View live




Latest Images